I told you about how Charlie Parker became Charlie Parker, right? What are you there's no f***ing Mars Bar down there, what are you looking at? [plays a slow trumpet song through speakers]. : You think you're better than us? : Fletcher: Were you rushing or were you dragging? : : Nicole: So Charlie thinks to himself, "Well, shit, I did do a pretty good job." People innovate, not companies. Terence Fletcher: Do not come early. Oh my dear God - are you one of those single tear people? Can you even f***ing read music?! Andrew: It's my part, I'll be on your stage. By the time you're done at Shaffer, you're gonna make Daddy look like a f***ing success story. Nope, I guess not. : What's your name? Nieman, you earned the part. Faster! Save your travel receipts. [Andrew stop playing because Fletcher enters the room] : I think I'm gonna start calling you Flannery. Gets up to play at a cutting session, and he f***s it up. Andrew: Pick it up! Fuck you! "And then Charlie thinks to himself, "Well, sh*t, I did do a pretty good job." I'll tell you, man - and every Starbucks "jazz" album just proves my point, really - there are no two words in the English language more harmful than "good job". You've got ten minutes, you fucking pathetic pansy-ass fruit-fuck! People wonder why jazz is dying. You give a calculator to a f***ing retard he's gonna try to turn on a TV with it. People wonder why jazz is dying. Andrew Look at me! Andrew Terence Fletcher: : Start practicing harder, Nieman. Any f***ing moron can wave his arms and keep people in tempo. But I tried. Andrew: [at the top of his lungs] I'M UPSET! Motherfucker! And Jones nearly decapitates him for it. I'm sure they'll make great school board presidents someday. [going back to compose the band] So that is going to cause you to suddenly play right? He reveals to him before the performance that he is aware Neiman testified against him. Oh my dear God - are you one of those single tear people? Andrew: Hey, you know, fuck off, Johnny Utah! Andrew Neiman sir. Andrew: [at the top of his lungs] I'M UPSET!!! Uncle Frank: Travis and Dustin? You're right, we should not be dating. That was all right. Terence Fletcher: Terence Fletcher : Were you rushing or were you dragging? End of story. Fletcher. Andrew: : Terence Fletcher Fletcher would never know it was you who spoke up. Terence Fletcher: Terence Fletcher : : [Andrew plays while Fletcher removes his jacket and puts it on a rack]. [walks over to Metz] It's okay. Terence Fletcher: You're right, we should not be dating. I will drum your ass back to Nassau where you can turn pages until you graduate or fucking drop out! : FASTER! No, man no, because the next Charlie Parker would never be discouraged. Fletcher: Hey, I can cut you any f***ing time I want. Terence Fletcher: Andrew: Four words you will never hear from the NFL. And I am not gonna have my reputation in that department tarnished by a bunch of fucking limp-dick, sour-note, flatter-than-their-girlfriends, flexible-tempo dipshits. And because I'm doing that, it's gonna take up more and more of my time. Andrew: Why would you give it to Neiman? We have an out-of-tone player here. There are no two words in the English language more harmful than "good job". [Andrew nods yes] Yes, you are upset. Subscribe A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a st [Fletcher goes back to the room] Andrew: Tanner, are you a fucking statue? Just listen for a minute. I SAID NOT NOW! Terence Fletcher Andrew: Nicole: And I would stop you from doing that? Look up here, look at me. Like all you guys. Terence Fletcher Hey. People wonder why jazz is dying. : I saw a drive in him. Terence Fletcher: Andrew FASTER! Fletcher: Carl. Don't slow down. One, and two, and-, [Band begins to play for a moment only to be immediately cut by Fletcher]. Terence Fletcher: And here comes mister gay pride of the Upper West Side himself. And you're gonna tell me to ease up on the drumming, spend more time with you because you're not feeling important. Listen, the key is to just relax. : Andrew: I'd rather die drunk, broke at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remembered who I was. Terence Fletcher So for the final, FATHER-FUCKING time, SAY IT LOUDER! Got it? I'm sorry. : Terence Fletcher: Terence Fletcher: [Andrew stop playing because Fletcher enters the room] So, you know that I'm looking for players? You hear me, cocksuckers? Looks like that might be all night. Hey, why don't you just back off, bro? Terence Fletcher: : At 5:30, that's in exactly 11 minutes, my band is on stage. Now, the Casey's aren't wealthy, they don't want to file suit. No, man, no. : : You believe that, right? Andrew Terence Fletcher: Terence Fletcher: : You would've cut me by now. Uncle Frank: So that's your idea of success, huh? How 'bout, uh, Caravan? : | Come play with us. Andrew Connolly, get your fuckin' ass back on the kit! Do you think you're out of tune? LOUDER! Where's the folder? : In four, dammit! Terence Fletcher Terence Fletcher You are a worthless pansy-ass who is now weeping and slobbering all over my drumset like a nine year old girl! Metz: [after a long, hesitant pause] Yes. : Fletcher: You got 10 minutes f***ing pathetic pansy ass fruitfuck! Terence Fletcher Uncle Frank: You got any friends, Andy? Andrew Andrew Sorry, I'm late. [after several hours of drumming] And a year later he goes back to the Reno and he steps up on that stage and he plays the best motherfucking solo the world has ever heard. : : Andrew: KEEP PLAYING, KEEP PLAYING, KEEP PLAYING. Andrew I wanted you guys to know he was a beautiful player. Fletcher will always think he won and Andrew will be a sad, empty shell of a. : To be touched with love was a kind of miracle. You think Carleton football's a joke? : Let's go with the Irish Mick fucking Paddy cracker. Jim: What is wrong with you? His methods of exacting the best from his students include belittling them, throwing objects at them and creating a level of tension so high that average individuals would likely crumble under the pressure. Are you one of those single tear people? Good job." Don't worry about what the other guys are thinking. Fletcher says Neiman is worthless etc you are a worthless, friendless, ***** -lipped, piece of s * , whose mommy left daddy when she figured out he wasn't Eugene O'Neil and who is now weeping and slobbering all over my drum set like a f * And a year later, he goes back to the Reno and he steps up on that stage, and plays the best motherfucking solo the world has ever heard. : Andrew Terence Fletcher Whiplash Quotes. Am I wrong? Hey, you know, fuck off, Johnny Utah! No? Nieman, you earned the part. Or, we can let Johnny Utah play the part. And when I do spend time with you, I'm gonna be thinking about drumming. Terence Fletcher I'M UPSET! Terence Fletcher: Before I continue, would that player care to identify himself? : Oh my dear God. And I will never apologise for how I tried. Did you see-. You were, Erickson, but he didn't know and that's bad enough. Rate this quote: (0.00 / 0 votes) 3,564 Views Terence Fletcher : Terence Fletcher: Got it? I'm in studio band because I'm the best player Ryan: [interrupts] Hey, why don't you just back off, bro? Terence Fletcher: You think I'm f***ing stupid? Good job." Now this one really upsets me. : Don't worry about the numbers. But I tried. Not my fucking tempo! But that's just what the world wants now. I got a reply for you, Andrew. . It's gotta be around here. The only reason you're in studio band to begin with is because I told you EXACTLY what I'd be asking for in Nassau! We see him from a distance down a hallway at a conservatory. Why would you give it to Neiman? The faculty were all telling him, "Maybe this isn't for you." Terence Fletcher I'm gonna keep pursuing what I'm pursuing. The Bad Guy Wins: Downplayed, but there. [He turns around to realize the folder is not where he left it], Andrew: I- no- no, I literal- no, I s- I swear I just had it here two seconds ago-, Andrew: It's gotta be around here somewhere. Fletcher: A medical condition? Got it? : Terence Fletcher: The next day Fletcher invites Andrew into his core jazz band as an alternate. *I'm here for a reason*. Terence Fletcher: One, two, three, four Terence Fletcher No organization ever created an innovation. You're here for a reason. Shortly after that we hear the door open and it's reappeared. Uncle Frank: Ah, but your friends will remember you, that's the point. I believe that is. Humiliation is a major theme of the film and a central tenet of Fletcher's teaching philosophy. Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse. Explore our collection of motivational and famous quotes by authors you know and love. Fuck you. Andrew Nicole: What the f*** is wrong with you? And I hope you play it a whole lot better than you did last month in rehearsal, because I do not intend to start losing now. Terence Fletcher Andrew: Oh yeah, it's right here. Andrew I saw a drive in him. Don't slow down. I never really had a Charlie Parker. Uncle Frank: Well, who are you going to play with otherwise? Parker's a young kid, pretty good on the sax, gets up to play at a cutting session, and he fucks it up. : Look up here, look at me. Parker's a young kid, pretty good on the sax. Terence Fletcher: This is not Saint f***in' Patricks Day, Flannery. I'll fucking kill you! : Louder! He was early second year and he'd started at Shaffer with a lot of hope. Fletcher: [points to sheet music] What does that say? I'm upset. That to me is an absolute tragedy. Good job." I was there to push people beyond what's expected of them. : Terence Fletcher So, you do know the difference! End of story. [Smiling] What do you say? Fletcher: The folder is your f***ing responsibility, Tanner. Terence Fletcher: [after Andrew stops drumming] Is that all you have you worthless Hymie f***? Andrew : Terence Fletcher Terence Fletcher: Were you rushing or were you dragging? : Terence Fletcher: | Relationships, friendships or other trappings of a normal life disappear under. Carl Tanner: But the truth was that he barely squeaked in to begin with and, uh he was really struggling. Terence Fletcher: Terence Fletcher: [playing an audio clip of a trumpet solo for the band] Six years ago, I came across a kid in a practice room working on his scales. Terence Fletcher: [Andrew keeps playing after the music ends] Andrew, what are you doing? Try me, you fucking weasel! : I believe that is an absolute necessity. One, two, three, four. And you're gonna tell me to ease up on the drumming, spend more time with you because you're not feeling important. : Terence Fletcher: You are a worthless, friendless, f*ggot-lipped little piece of sh*t whose mommy left daddy when she figured out he wasn't Eugene O'Neill, and who is now weeping and slobbering all over my drum set like a f***ing nine-year old girl! Why would you give it to Neiman? FUCK YOU! If you want the fucking part, earn it. I can play it, okay? Forget my jacket! The only reason you are a core is because you misplaced a folder. So imagine if Jones had just said, "Well, that's okay, Charlie. It's over, okay? Truth is, I don't think people understood what it was I was doing at Shaffer. What are you looking at? [Fletcher slaps him again] One, two, three Terence Fletcher: Now, was I rushing or I was dragging? : There is not a pot of gold under your f***in' seat. Fuck you, Fletcher! Go! I wasn't there to conduct. Isn't he cute? : What the hell are you doing, man? Andrew You know, you actually do look quite a bit like a leprechaun. Soundtracks, Andrew stop playing because Fletcher enters the room, Andrew plays while Fletcher removes his jacket and puts it on a rack, Andrew continues playing until he hears Fletcher slam the door out, Andrew keeps playing after the music ends, plays a slow trumpet song through speakers, Rushes to pick up his rudiments, but turns to Connelly, kicks drumset out of the way and tackles Fletcher, the band prepares; Ryan Connolly is on the drum kit, Band begins to play for a moment only to be immediately cut by Fletcher, Ryan gets up from the kit and is replaced by Andrew, Band plays for a moment only to be cut by Fletcher again, a reluctant Andrew gets up from the kit and is replaced by Carl Tanner, Band plays and is immediately cut off again, at a movie theater, Andrew approaches Nicole behind the concession stand. That's been your problem the whole fucking time, the seat height? 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